Argo (3): Best Picture, Film Editing, Adapted Screenplay
Life of Pi (4): Best Director Ang Lee, Cinematography, Original Score, Visual Effects
Les Misérables (3): Best Actress in a Supporting Role Anne Hathaway, Makeup & Hairstyling (hair’s new this year), Sound Mixing
Lincoln (2): Best Actor in a Leading Role Daniel Day-Lewis, Best Production Design
Silver Linings Playbook (1): Best Actress in a Leading Role Jennifer Lawrence
Django Unchained (2): Best Supporting Actor Christoph Waltz, Original Screenplay Quentin Tarantino.
Skyfall (2): Best Original Song Adele, Best Sound Editing (draw with ZDT)
Zero Dark Thirty (1): Best Sound Editing
Anna Karenina (1): Costume Design
Amour (1): Best Foreign Language Film
The above is a list of the major winners. For a full list, CLICK HERE.
The film winning Best Picture is always considered the major winner. So Argo it is. Interesting that the director of a Best Picture is not even nominated. No matter, the 1979 Iran hostage crisis came to a glorious end for Ben Affleck. “… it doesn’t matter how you get knocked down in life because that’s going to happen. All that matters is you gotta get up.” Glad he thanked Canada in his acceptance speech, along with Iran. Equal opportunity thanker he is.
Life of Pi has the most Oscars. I’m excited for them. Canadian composer Mychael Danna wins with his Indian-influenced score. Director Ang Lee gave a gracious acceptance speech thanking Taiwan, where he filmed the majority of the movie, all the 3,000 people involved in the production, and yes, the author of the Booker Prize winning novel, Canadian writer Yann Martel. For those who are book lovers and don’t want to spoil their good memory of their reading experience, I say, go see the film. It’s worthy of its literary source.
Glad to see Les Miz being honored with three awards. The dream came true for Anne Hathaway, winning her first Oscar, as expected. Deservedly, the Make-up and Hairstyling people won as well, with hairstyling being the first time recognized at the Oscars. Just look at Hugh Jackman at the opening scenes you’d appreciate their effort. That he didn’t eat or drink for over 13 hrs to shoot those scenes helped too. The highlight of last night’s Awards Show for me was the whole Les Miz cast singing on stage.
While I’m at that, get the orchestra back in the Theatre where the action is next time. You can hear the discrepancy in timing with the singing at certain points. And please, don’t rush people off stage by playing all those irrelevant (or maybe tackily relevant) old movie themes. So rude to the present winners and disrespectful to those past productions. Here are some I remember… Jaws, The Magnificent Seven, The Godfather, Gone with the Wind (that’s when Quentin Tarantino was speaking).
Why, with all the technical talents around, the tribute to fifty years of James Bond was done with such a lack-lustre montage? To help us forget it, Shirley Bassey came on stage to sing Goldfinger after that. In my opinion, Goldfinger is probably the best James Bond song. And Bassey just showed, at 76, the unfading colours of a great voice. So’s Barbra Streisand, at 70, delivered a moving The Way We Were after the Memoriam clip, paying tribute to Marvin Hamlisch who wrote the Oscar winning song (1974). Memories flooded back as she sang at the Oscars the first time last night after 36 years. With all due respect to Adele and her Skyfall win, these two veteran singers made a sharp contrast to her shaky performance.
Now, Lincoln‘s disappointing results baffled me. Coming into the Awards Season, it was the strongest contender, with 12 nominations. The only major win was Daniel Day-Lewis who was almost locked-in for Best Actor, and deservedly so. He is now the only actor winning three Oscar Best Actor awards. I’ve seen all his winning films. While his Lincoln portrayal is impressive, I remember being captivated by his first Oscar winning role in My Left Foot (1989) as Irish writer Christy Brown who was afflicted with cerebral palsy and could only use his left foot to write.
And then there’s Jennifer Lawrence, what a good sport. It’s embarrassing falling on the steps going up the stage, but getting an Oscar way over compensates for it. Her performance in Silver Linings Playbook confirms her position as a leading female character actor at 22. I’ve seen her much younger performances before all the Hunger Games hype, and knew that she would be a rising star. The two films I’m thinking of are The Burning Plain (2008) and Winter’s Bone (2010).
As for the film and the actress I’ve been silently rooting for, Zero Dark Thirty and Jessica Chastain, well, at least it has one Oscar. I’m not too disappointed though for I trust Kathryn Bigelow‘s talent and skill can only create more strong productions, and hopefully not being marred by unnecessary controversies like she has with ZDT. As for Jessica Chastain, I know she will deliver in whatever film she’s in… given a good role and in the hands of a capable director. I wish her all the best.
As for next year’s Oscars? Captain Kirk is right… you’d want to honour the film industry, not to spite it with a bad host and degrading jokes, no matter how entertaining the singing and dancing are. Yes, I’m referring to the opening number, plus some other ones that left us with a bad aftertaste. So please, bring on a different perspective, one that represents the other half of the human race. Let’s have Tina Fey and Amy Poehler to co-host next year’s Oscars.
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